To achieve that, leave the first frame empty. Let's have the ball come into the frame at the start of our animation. Let's start with something simple, a bouncing ball. Just like that, you're ready to start animating. You'll know that animation has been enabled on a layer by the lightbulb icon in the layer panel. This creates an empty cel at frame 0 on the timeline. To enable animation on a layer, right-click on on the frame and select New Frame.
The ball layer will house the drawings that move. Next time you watch a classic Looney Tunes episode, or even something more recent, like Batman The Animated Series, watch the background instead of the main characters to see if you can detect which layer is the backdrop, or matte as it is called. To keep things simple, that's all we'll do with that layer, and that's pretty common. With the backdrop layer active, fill it in with a solid color. Then create a new layer above that one and call it "ball", because we're going to use it to draw a bouncing ball. Click on that layer's name to give it a proper label like "backdrop". In your layers docker you'll already have one layer. Krita uses the Qt framework, so you can undock these panels and place them anywhere you find convenient.
Krita software skin#
The animation workspace provides new dockers: the timeline docker along the bottom of the window and the animation and onion skin docker in the lower corner. The default mode of Krita is paint mode, so to see the animation tools switch to the Animation Workspace using the Workspace Switcher button in the upper right corner of the Krita window. Set the resolution to 72 ppi unless you really plan on printing your animation out to physical media. Yes, there are templates specific to animation, but those are overkill for the purposes of this walkthrough.Ĭhoose whatever page size (or in this case, frame size) you think your computer can handle. When Krita launches, create a new empty project using the Custom Document option. Make the AppImage executable and run it by either clicking its icon or from a shell it contains everything you need to run the application.
Krita software download#
On Linux, if your distribution doesn't have Krita 3.x, then download the Krita AppImage from the site.
Krita software install#
Krita is easy to install just download the latest stable version from its website. And if not, read on anyway you might be pleased with how gentle the learning curve is. This assumes some familiarity with Krita, but you can probably follow along just by knowing the general workflow of a paint application.
Krita software software#
I'll cover a more advanced animation software in two months I'm covering Krita here because it's a robust illustration application with a stable animation interface, and it's just plain fun to work with. It doesn't support advanced digital tweening or soundtrack integration it just provides onion skinning and a timeline. It's a paint application that happens to do some animation. To be clear: Krita is not a dedicated animation application. Luckily, I was in the minority, and Krita 3.x features a remarkably stable and capable animation interface. I personally didn't vote for animation I felt it would only distract Krita from its main purpose. Just last year (2015), Krita crowdfunded development, and as a stretch goal, funders voted for an animation plugin. (I'm not an illustrator, so the boost that Krita gives me to trick people into thinking I have skill with a brush or pen is much appreciated.) As an actual animation program, however, it's very much a new player. Kritaįrom its humble beginnings as "that painter app, the one that comes with KOffice" to a premiere open source freehand paint emulator, Krita has been a favourite graphics tool of mine for years. You can read about some of the more technical details about animation in Animation Basics by Nikhil Sukul. Although the tools are fairly specific to the task, these principles apply to other styles of animation as well. I'll concentrate on three of the most essential disciplines in animation: hand-drawn cel animation, digitally tweened animation, and stop motion. Over the next three months I'll highlight three open source applications that are reliable, stable, and efficient in enabling users to create animated movies of their own.
Animation isn't easy, by any means it's a complex process requiring patience and dedication, but the good news is open source supplies plenty of high-quality animation tools. There are lots of different kinds of animation: hand-drawn, stop motion, cut-out, 3D, rotoscoping, pixilation, machinima, ASCII, and probably more.
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